LGBTQ Literature and Film: Mysteries

Seattle teacher and part-time blogger Hayden McCall wakes sporting one hell of a shiner, with the police knocking at his door. It seems that his new crush, dancer Camilo Rodriguez, has gone missing and they suspect foul play. Determined to find answers, pint-sized, good-hearted Hayden seeks out two of Camilo's friends--Hollister and Burley--both lesbians and both fiercely devoted to their friend. From them, Hayden learns that Camilo is a 'Dreamer' whose parents had been deported years earlier, and whose sister, Daniela, is presumed to have returned to Venezuela with them. Convinced that the cops won't take a brown boy's disappearance seriously, the girls join Hayden's hunt for Camilo. The first clues turn up at Barkingham Palace, a pet store where Camilo had taken a part-time job. The store's owner, Della Rupert, claims ignorance, but Hayden knows something is up. And then there's Camilo's ex-boyfriend, Ryan, who's suddenly grown inexplicably wealthy. When Hayden and Hollister follow Ryan to a secure airport warehouse, they make a shocking connection between him and Della--and uncover the twisted scheme that's made both of them rich. The trail of clues leads them to the grounds of a magnificent estate on an island in Puget Sound, where they'll finally learn the truth about Camilo's disappearance--and the fate of his family.

Erin McCabe has been referred the biggest case of her career. Four months ago, William E. Townsend, Jr., son of a New Jersey State Senator, was found fatally stabbed in a rundown motel near Atlantic City. Sharise Barnes, a nineteen-year-old transgender prostitute, is in custody, and given the evidence against her, there seems little doubt of a guilty verdict. Erin knows that defending Sharise will blow her own private life wide open, and doubtless deepen her estrangement from her family. Yet as a trans woman, she feels uniquely qualified to help Sharise, and duty-bound to protect her from the possibility of a death sentence. Sharise claims she killed the senator's son in self-defense. As Erin assembles the case with her partner, former FBI agent Duane Swisher, the circumstances hint at a more complex and chilling story with ties to other brutal murders. Senator Townsend is using the full force of his prestige and connections to publicly discredit everyone involved in defending Sharise. Behind the scenes, his tactics are even more dangerous. His son had secrets that could destroy the senator's political aspirations--secrets worth killing for. And as leads begin mysteriously disappearing, it's not just the life of Erin's client at stake, but her own . . .

New York City, 1962. Vera Kelly is struggling to make rent and blend into the underground gay scene in Greenwich Village. She's working night shifts at a radio station when her quick wits, sharp tongue, and technical skills get her noticed by a recruiter for the CIA. Next thing she knows she's in Argentina, tasked with wiretapping a congressman and infiltrating a group of student activists in Buenos Aires. As Vera becomes more and more enmeshed with the young radicals, the fragile local government begins to split at the seams. When a betrayal leaves her stranded in the wake of a coup, Vera learns the Cold War makes for strange and unexpected bedfellows, and she's forced to take extreme measures to save herself.

When ex-CIA agent Vera Kelly loses her job and her girlfriend in a single day, she reluctantly goes into business as a private detective. Heartbroken and cash-strapped, she takes a case that dredges up dark memories and attracts dangerous characters from across the Cold War landscape. Before it's over, she'll chase a lost child through foster care and follow a trail of Dominican exiles to the Caribbean. Forever looking over her shoulder, she nearly misses what's right in front of her: her own desire for home, connection, and a new romance at the local bar.

It's spring 1971 and P.I. Vera Kelly and her girlfriend, Max, leave their cozy Brooklyn apartment for an emergency visit to Max's estranged family in Los Angeles. Max's parents are divorcing--her father is already engaged to a much younger woman and under the sway of an occultist charlatan; her mother has left their estate in a hurry with no indication of return. Max, who hasn't seen her family since they threw her out at the age of twenty-two, prepares for the trip with equal parts dread and anger. Upon arriving, Vera is shocked by the size and extravagance of the Comstock estate, which reveal a privileged upbringing that, up until this point, Max had only hinted at. That evening, at dinner, Max attempts to navigate her father, who is hostile and controlling, and the occultist, St. James, who is charming but appears to be siphoning family money. Tensions boil over when Max threatens to alert her mother--and her mother's lawyers--to St. James and her father's plans to use marital assets. The next morning, when Vera wakes up, Max is gone.

It's 1942 and Willowjean Will Parker is a scrappy circus runaway whose knife-throwing skills have just saved the life of New York's best, and most unorthodox, private investigator, Lillian Pentecost. When the dapper detective summons Will a few days later, she doesn't expect to be offered a life-changing proposition: Lillian's multiple sclerosis means she can't keep up with her old case load alone, so she wants to hire Will to be her right-hand woman. In return, Will is to receive a salary, room and board, and training in Lillian's very particular art of investigation. Three years later, Will and Lillian are on the Collins case: Abigail Collins was found bludgeoned to death with a crystal ball following a big, boozy Halloween party at her home--her body slumped in the same chair where her steel magnate husband shot himself the year before. With rumors flying that Abigail was bumped off by the vengeful spirit of her husband (who else could have gotten inside the locked room?), the family has tasked the detectives with finding answers where the police have failed. But that's easier said than done in a case that involves messages from the dead, a seductive spiritualist, and Becca Collins--the beautiful daughter of the deceased, who Will quickly starts falling for. When Will and Becca's relationship dances beyond the professional, Will finds herself in dangerous territory, and discovers she may have become the murderer's next target.

New York, 1946: The last time Will Parker let a case get personal, she walked away with a broken face, a bruised ego, and the solemn promise never again to let her heart get in the way of her job. But she called Hart and Halloway's Travelling Circus and Sideshow home for five years, and Ruby Donner, the circus's tattooed ingenue, was her friend. To make matters worse the prime suspect is Valentin Kalishenko, the man who taught Will everything she knows about putting a knife where it needs to go. To uncover the real killer and keep Kalishenko from a date with the electric chair, Will and Ms. Pentecost join the circus in sleepy Stoppard, Virginia, where the locals like their cocktails mild, the past buried, and big-city detectives not at all. The two swiftly find themselves lost in a funhouse of lies as Will begins to realize that her former circus compatriots aren't playing it straight, and that her murdered friend might have been hiding a lot of secrets beneath all that ink. Dodging fistfights, firebombs, and flying lead, Will puts a lot more than her heart on the line in the search of the truth. Can she find it before someone stops her ticker for good?

Leo Stanhope is rich in dreams but poor of pocket. He dreams of making a home with Maria, the prostitute he loves. And he dreams of a world where no one cares what is tucked between his legs. Leo has a secret and in Queen Victoria's England, that secret could get him locked up for life...if nobody kills him first. But it's a prostitute who's killed instead, and Leo who becomes the prime suspect. Desperate to clear his name and find the murderer, Leo is forced to sacrifice his books, his job, his home. To clear his name will he give up his secret?

Set on an Ojibwe reservation in northern Minnesota, This Town Sleeps is the story of Marion Lafournier, a gay Ojibwe man, and his search for meaning in a town he cannot seem to leave. When he begins a romance with a closeted former high school classmate Shannon, Marion finds himself struggling to connect with the volcanic and unstable man. One night, while roaming the dark streets of Geshig, Marion unknowingly brings to life a dog from underneath the elementary school playground. The mysterious revenant leads him to the grave of Kayden Kelliher, an Ojibwe basketball star who was murdered at the young age of seventeen, and whose presence still lingers in the memories of the townsfolk. While investigating the fallen hero's death, Marion discovers family connections and an old Ojibwe legend that may be the secret to unraveling the mystery he has found himself in.

Although Eric and Andrew have been trying to keep up a semblance of normal life, they know their thirteen-year-old son Jack has been having a tough time of it since they separated. They've been concerned, but now they're terrified--Jack has run away from home. It happened once before, just after the separation, but then it was only a matter of hours before Eric found him. This time, Jack disappeared with his cousin, and the two of them haven't been seen for more than twenty-four hours. Desperate, Eric and Andrew call on private investigator Jane Lawless, a friend of Andrew's from years ago. Despite the fact that her business partner, A.J. Nolan, is now in a wheelchair and struggling with depression, Jane agrees to help out. But after examining Eric and Andrew's home, Jane's first impression of the case isn't good--in fact, she's not convinced the boys ran away at all. She thinks they may have been abducted...or worse.

In the summer of 1997, Thomas Lynch arrives as the new chief of police in Idyll, Connecticut - a town where serious crimes can be counted on one hand. So no one is prepared when Cecilia North is found murdered on a golf course. By chance, Chief Lynch met her mere hours before she was killed. With that lead, the case should be a slam dunk. But there's a problem. If Lynch tells his detectives about meeting the victim, he'll reveal his greatest secret - he's gay. So Lynch works angles of the case on his own. Meanwhile, he must contend with pressure from the mayor to solve the crime before the town's biggest tourist event begins, all while coping with the suspicions of his men, casual homophobia, and difficult memories of his former NYPD partner's recent death. As the case unfolds, Lynch realizes that small-town Idyll isn't safe, especially for a man with secrets that threaten the thing he loves most - his job.

Schoolteacher Adam Matthews just wants to help select a new headteacher and go home. The governors at Lindenshaw St Crispin's have already failed miserably at finding the right candidate, so it's make or break this second time round. But when one of the applicants is found strangled in the school, what should have been a straightforward decision turns tempestuous as a flash flood in their small English village. Inspector Robin Bright isn't thrilled to be back at St. Crispin's. Memories of his days there are foul enough without tossing in a complicated murder case. And that handsome young teacher has him reminding himself not to fraternize with a witness.

When financier Gerald Cartwright disappeared from his home six years ago, it was assumed he'd gone on the run from his creditors. Then a skeleton is found bricked up in the cellar of Cartwright's burned-out mansion, and it becomes clear Gerald never left alive. The sole representative of South Yorkshire's Cold Case Review Unit, Detective Sergeant Adam Tyler is not expected to get results, but this case might finally kick start his floundering career. He has a suspect: Cartwright's son, the man Tyler slept with the night before. Keeping his possible conflict-of-interest under wraps, Tyler digs into the case alongside Amina Rabbani, an ambitious young Muslim constable and a fellow outsider seeking to prove herself on the force.

In Yelena Moskovich's spellbinding new novel, A Door Behind A Door, we meet Olga, who immigrates as part of the Soviet diaspora of '91 to Milwaukee, Wisconsin. There she grows up and meets a girl and falls in love, beginning to believe that she can settle down. But a phone call from a bad man from her past brings to life a haunted childhood in an apartment building in the Soviet Union: an unexplained murder in her block, a supernatural stray dog, and the mystery of her beloved brother Moshe, who lost an eye and later vanished. We get pulled into Olga's past as she puzzles her way through an underground Midwestern Russian mafia, in pursuit of a string of mathematical stabbings.

Oliver Park, a recovering addict from Indiana, finally has everything he ever wanted: sobriety and a loving, wealthy partner in Nathan, a prominent DC trauma surgeon. Despite their difference in age and disparate backgrounds, they've made a perfect life together. With everything to lose, Oliver shouldn't be visiting Haus, a gay bathhouse. But through the entrance he goes, and it's a line crossed. Inside, he follows a man into a private room, and it's the final line. Whatever happens next, Nathan can never know. But then, everything goes wrong, terribly wrong, and Oliver barely escapes with his life. He races home in full-blown terror as the hand-shaped bruise grows dark on his neck. The truth will destroy Nathan and everything they have together, so Oliver does the thing he used to do so well: he lies. What follows is a classic runaway-train narrative, full of the exquisite escalations, edge-of-your-seat thrills, and oh-my-god twists.

For years, Chicano lawyer Henry Rios has kept the secret that his old Stanford classmate Christopher Chandler is as gay as Henry himself--he even helped him plead an ancient lewd-conduct charge down to something that wouldn't destroy his career-- despite the pressure from his friendship with Chris's wife, Bay. But now that Chris has been battered to death with his Judge of the Year award, his closet door springs open. Zack Bowen, the new boyfriend whose plans to take Chris away from his family ended when he found Chris dead in his chambers, turns up on Henry's doorstep but disappears one jump ahead of the police. And as Bay and her angry son Joey unload on Henry for keeping Chris's secret for so long, ambitious homicide detective Yolanda McBeth zeroes in on the kid. Awash in his painful memories of Chris, and traumatized by his AIDS-stricken former lover Josh Mandel's swift descent into the dead zone, Henry still manages to find a flaw in the search warrant McBeth used to find the murder weapon in Zack's apartment. But if Zack didn't kill Chris, who did--and does Henry really want to know?

When a carriage bearing the Arnifour family crest--a vulture devouring a slaughtered lamb--arrives at the Kensington home of Colin Pendragon, it is an ominous beginning to a perplexing new case. Lady Arnifour's husband has been beaten to death and her niece, Elsbeth, left in a coma. Is the motive passion, revenge, or something even more sinister? Police suspicions have fallen on the groundskeeper and his son, yet the Earl's widow is convinced of their innocence. Even as Colin and his partner Ethan Pruitt delve into the muddy history of the Arnifour family, a young street urchin begs their help in finding his missing sister. Ethan, regrettably familiar with London's underbelly, urges caution, yet Colin's interest is piqued. And in a search that wends from the squalid opium dens of the East End to the salons of Embassy Row, the truth about these seemingly disparate cases will prove disquieting, dangerous, and profoundly unexpected. . .

Kerstin Ostheim, a journalist, and P. J. Banner, a freelance photographer, have been together six months after meeting on a dating website. They are getting married in two weeks and as the wedding fast approaches, they question their compatibility while investigating mysterious horse killings that are taking place in Ogweyo's Cove, the Pacific tourist haven where they live. In the meantime, Schuld Ostheim, Kerstin's transgender daughter from her first marriage, is preparing for an art exhibit after being hospitalized for a physical assault while her boyfriend, Woloff, an Olympic medalist in the 1500m, comes to terms with a career ending knee injury. As Kerstin and P.J. get closer to the truth about the dead horses, they also begin to more clearly see each other. Simultaneously, Schuld and Woloff encounter obstacles caused by how their relationships with the past effect their sense of a possible future. Ultimately, Smells Like Stars draws attention to what is hidden in plain sight, that life can be cruel, ambiguous and without meaning.

Jazz and Joaquin's foster mother, Carol, has always been fanatical, but with Jazz grown up and out of the house, Carol takes a dangerous turn that threatens thirteen-year-old Joaquin's life. Over and over, child services fails to intervene, and Joaquin is running out of time. Then Jazz gets a blocked call from someone offering a solution. There are others like her--people the law has failed. They've formed an underground network of 'helpers', each agreeing to eliminate the abuser of another. They're taking back their power and leaving a trail of bodies throughout Los Angeles--dubbed the Blackbird Killings. If Jazz joins them, they'll take care of Carol for good. All she has to do is kill a stranger.

When misguided teenagers Jesse Crawford and Jenny Wheeler are forced to rob Emmett Burr to escape impossible circumstances, what starts as a home invasion quickly turns into a nightmare for the teens. What Jesse and Jenny don't know is that although Emmett is now old, severely obese, and in chronic pain, Emmett was responsible for the kidnapping and deaths of two young women almost twenty years ago, crimes that have never been solved. So Emmett is quick to turn the tables, blurring the lines between who the real victim is here. Ben Packard, a sheriff's deputy and former Minneapolis cop who fled the Twin Cities after his boyfriend was killed in the line of duty, is leading the investigation into the missing teens with a keen sense of urgency because Jenny is his cousin's daughter. Ben's been living like a monk in the small town of Sandy Lake for almost two years, battling to keep his private life private while moving up the ranks of the sheriff's department. But the more he works this case, the more he's forced to unveil his own secrets, and in turn the dark pasts of the people he's sworn to serve.

Jay Allan and Cindy Cooper were soap opera stars in the late '90s, a wholesome young husband-and-wife duo who combined musical talent with humor and charisma. When the truth about their sexual orientations came to light, their marriage and TV careers ended, but decades later they have remained friends. Together, they open Palm Springs' chicest movie memorabilia store, Hooray for Hollywood--but no customers and dwindling finances spell trouble. A Hail Mary arrives in the form of Yana Tosh, a ninety-year-old diva of the silver screen who has amassed a valuable collection of costumes and props and is looking to sell. But first, Jay and Cindy have to beat their competition, a vice president from a mega-auction house with ten times their resources. And when he winds up dead, they become prime suspects in the murder. With their freedom and livelihoods on the line, Jay and Cindy desperately need to clear their names. There are plenty of other potential suspects, but they'll have to solve it soon before they're forced to trade in their vintage costume collection for two orange jumpsuits.

Lavender House, 1952: the family seat of recently deceased matriarch Irene Lamontaine, head of the famous Lamontaine soap empire. Irene's recipes for her signature scents are a well guarded secret--but it's not the only one behind these gates. This estate offers a unique freedom, where none of the residents or staff hide who they are. But to keep their secret, they've needed to keep others out. And now they're worried they're keeping a murderer in. Irene's widow hires Evander Mills to uncover the truth behind her mysterious death. Andy, recently fired from the San Francisco police after being caught in a raid on a gay bar, is happy to accept--his calendar is wide open. And his secret is the kind of secret the Lamontaines understand. Andy had never imagined a world like Lavender House. He's seduced by the safety and freedom found behind its gates, where a queer family lives honestly and openly. But that honesty doesn't extend to everything, and he quickly finds himself a pawn in a family game of old money, subterfuge, and jealousy--and Irene's death is only the beginning. When your existence is a crime, everything you do is criminal, and the gates of Lavender House can't lock out the real world forever. Running a soap empire can be a dirty business.